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Turpentine Jake: a play in two acts

 Turpentine Jake bok cover

 

About the Book: American history tells us Slavery ended in 1865. But deep in the swamps and pine forests of Florida and Georgia, tens of thousands of Blacks were held in debt servitude until the 1970s. More than 100 years after the last cotton plant was plucked by an unpaid Black hand, turpentiners tapped the longleaf pines, harvesting pine gum fourteen hours a day.  Because they earned less each week than they were forced to spend on food and clothing in the company store, the turpentiners were virtually enslaved to their bosses. “The onliest way out is to die out,” says a seasoned worker in the play, Bannister and Hurd’s poetic look at the extraordinary lives of the Blacks enslaved by debt peonage, but freed by their stories, songs, rootwork, and magic.
Based on dozens of interviews with surviving centenarian turpentiners and the memories of Hurd’s own grandfather, Jake, Turpentine Jake is a rich spoken word poem, full of dreams, wonders, and hard realities. Part history lesson, part poetry, part American Folklore, Turpentine Jake is a “blues drama,” that captures the soul of the turpentiners, “poets of the swingin’  blades” that carved the faces of the pines in the deep South. The book contains an introductory essay, photos, music, a glossary, and bibliography.

Book Information
ISBN: 978-0-9839616-0-4
Format: Paperback, 129 pages
Backmatter: 16 Illustrations, 8 Songs
Price: $14.95

 Linda Bannister
 

About the Co-author: Linda Bannister, Professor of English at Loyola Marymount University, was the first person to hold the Daum Professorship. Bannister co-wrote and produced the world premiere of Turpentine Jake which was nominated for two 2009 NAACP Theatre Awards, winning one. Bannister and Hurd have also written an award-winning short film called, “Poet of the Swingin’ Blade.” Bannister is a Board Member of The World Stage in Leimert Park, and with Hurd, a founding member of The Kohl Players www.kohlplayers.com. 

 
 James E Hurd Jr  

About the Co-author: James E. Hurd, Jr. is a writer, actor, and director.  With Bannister, he has written One Sunday in Mississippi and Turpentine Jake, both invited to the National Black Theatre Festival. He has appeared in Soldiers Voices (The Actor’s Gang), Agatha Christie’s The Hollow (Long Beach Playhouse) and Tiger Tiger Burning Bright (The Stella Adler Theatre). His feature film work includes Consignment, In With Thieves, and Deuces. Television appearances include General Hospital, Murder She Wrote, and Hung

 

Praise for Turpentine Jake:

“Turpentine Jake is a play full of mystery and song, with an epic story and indelible characters that lifts some dark times out of the piney forests of Florida and into the hearts of the audience. On the cloud of an ending that is as honest as it is surprising, I left the theater feeling thankful and hopeful about what theater can accomplish with wonderful material.”
 —Constance Congdon, Playwright in Residence at Amherst College

“Turpentine Jake is a breakthrough play that highlights the social milieu surrounding a forgotten chapter of American life … a 21st century warning to all of us when we consider the ongoing balancing act of business needs versus the dictates of morality and ethics.”
Valencia E. Matthews, Ph.D., Director of Theatre at Florida A&M University

“Turpentine Jake is that rare synthesis of history and theatre that stuns us with its authenticity, and shakes us with its dramatic charge. Through sweat, music, laughter, and pain it draws us into a deep examination of race and our national character. This play will live in your heart for a long time after you have experienced it.”
Kevin Lawler, Producing Artistic Director of The Great Plains Theatre Conference, Omaha

“Turpentine Jake is an evocative and authentic glimpse of life in the Turpentine camps. A labor of love carefully researched and artfully told.”  
Laurie Kay Sommers, Ph.D., Folklorist and Director, Traditions of Turpentine Project, Valdosta State University

“Turpentine Jake is a compelling account, written in a richly textured language, that distills an historic disgrace into compelling action, spiced with humor and American magic realism.”
Ron West, Ph.D., Prof. Theatre, Metropolitan Comm. College, Omaha



For further information on the book and how to order books,
 contact Ivie Arasomwan, Administrative Assistant at:
iarasom@lmu.edu | 310-258-8862

 

 

Marymount Institute Press, a Tsehai Publishers Imprint
Loyola Marymount University   |   1 LMU Drive, Suite 3012, Los Angeles, CA 90045
www.tsehaipublishers.com/mip   |   Phone: 310-258-5460